Similarly, he appears to be moderating his more aggressive  policies. He had heralded the “Broken Windows” theory, which holds that, if  minor crimes are not addressed, major crimes will follow. 
        Earlier this year, Bratton brought back Broken Windows author  George Kelling as a consultant. Kelling’s tour of the subways led Bratton to  promise a crackdown on subway panhandlers and acrobatic dancers. Since then,  Bratton has toned down his rhetoric. Now, he says, the dancers could perform in  “designated spaces,” although not in subway cars. 
         Meanwhile, he finds himself in an increasingly ambivalent position  as de Blasio supporters continue to criticize the police for past actions. 
        A group of mothers whose sons were killed by police over the past  two decades want the feds and the NYPD’s inspector general to investigate what  they say is a pattern of excessive force against young blacks and Latinos. 
         Bratton, though, has said he’s “comfortable that all of those  cases are exhaustively investigated by us, by the appropriate district  attorneys’ offices.” 
         This time around, Bratton seems to be less hands-on than in his  previous tenure as commissioner. He recently traveled to Florida, attended the  White House Correspondents’ dinner in Washington, and last Friday winged off to  Israel with his counter-terrorism chief, John Miller. 
         What was it that Dinkins’ first police commissioner, Lee Brown,  was disparagingly called? It was “Out of Town Brown.” 
         “You have to  understand, the guy never broke a sweat. He’s a guy who manages talent, who is  a ‘thought’ leader. He surrounds himself with people who share his vision. He  leaves it to others to execute,” a former top NYPD official said of Bratton. 
         “His idea of giving those acrobatic dancers designated places  sounds like smart policing. So long as they don’t do their dancing in the  subway cars, it makes sense.” 
         But, the official  notes of Bratton: “There doesn’t seem to be the same fire. He’s no longer  inventing something that’s never been done before. Time has proven that his  methods work. There may not be the same drive to succeed. Now he’s at the  legacy stage.   
         
          SEEMS LIKE OLD TIMES. Who was that sitting in on two recent  Compstat meetings at Police Plaza? It was none other than the former chief of  Department, Louis Anemone, known to readers of this column as the Dark Prince. 
         With the late, great Jack Maple, Anemone is regarded as the  architect of Compstat, which under Bratton became shorthand for department  accountability, which, in turn, contributed to the city’s dramatic crime rate  decline. 
         Those early days  of Compstat, run by Anemone and Maple, were wild affairs. Maple’s and Anemone’s  grilling of hapless commanders became so raw that fistfights erupted. 
         At one meeting, someone threw a chair. After Anemone insulted an  assistant district attorney from Brooklyn, his boss, then-District Attorney Joe  Hynes, wrote a formal letter of complaint to Bratton. 
         At another meeting, Anemone and Maple accused then-chief of  detectives Charlie Reuther of “treason” and “heresy.” At yet another, the  then-newly appointed Brooklyn Borough South Commander, Tosano Simonetti, began  explaining how he had begun reducing crime. On a screen behind him, Anemone  flashed a computerized drawing of Pinocchio with his nose growing. 
         Louie got his  comeuppance for that. Bratton’s successor, Howard Safir, promoted Simonetti to  first deputy commissioner, jumping him over Anemone. 
        That was the beginning of  Anemone's end.